5 Questions – Adrienne Outlaw

5 Questions Ep. 10 – Adrienne Outlaw


Welcome listeners to 5 Questions: A Critical Mass for the Visual Arts Podcast in which we ask 5 questions of our interviewees aimed at positioning and contextualizing their respective bodies of work within the St. Louis artworld. This episode, we’re talking with Adrienne Outlaw.

Adrienne is a socially engaged artist whose work addresses issues of individual and communal health. She has exhibited in galleries and museums across the United States and abroad in Italy, Hong Kong, South Korea and Nigeria. She’s shown in more than two dozen museums nationally including MASS MOCA, Islip Art Museum, MOCA Fort Collins, Cheekwood and the Tennessee State Museum. She’s had solo exhibitions in Wyoming, San Diego, Atlanta, North Carolina, Michigan, Tennessee and Chicago. A dozen exhibition catalogs and three art books feature her work, which has been positively reviewed in such publications as Art in America, Sculpture, Art Papers, and World Sculpture News. Outlaw is the recipient of grants, awards, and fellowships from organizations including the National Endowment for the Arts, The Andy Warhol Foundation for the Visual Arts, the Elizabeth Firestone Graham Foundation, and of course Critical Mass for the Visual Arts. Her art is in such collections as the U.S. Embassy in Nigeria, the Public Library of Davidson County and Vanderbilt University. She holds a BFA from the School of the Art Institute of Chicago and a Master of Liberal Arts and Science degree from Vanderbilt University. Two years ago Outlaw moved from Nashville to St. Louis.

5 Questions is a program by Critical Mass for the Visual Arts – a nonprofit, self-formed visual arts collaborative dedicated to promoting, enhancing and initiating contemporary visual art in the St. Louis region.

Pick it up on iTunes or wherever you get your podcasts

Or at criticalmassart.org/fivequestions, on twitter @criticalmassSTL

-with Adrienne Outlaw and Joe Kohlburn

Editing- Sarah Hammond

Production- Brett Williams

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